Here is my conclusion to the worst comic book adaptations I have ever seen. Maybe someday there will be a fourth installment. I can only pray there won't...
Priest – I’m not familiar with the comic this movie was
based on, but the movie seemed like it could have been cool. It wasn’t. There
was only one thing that worked in this movie and that was Karl Urban. Thank God
for Karl Urban. Priest was set in a post-apocalyptic meets dystopian future
where religion rules what remains of society and priests, highly trained
spiritual warriors, are humanity’s only defense against evil. Seems cool on the
surface, but remember… it isn’t. So the main character priest guy goes after
these vampires who are more like nocturnal demons with no eyes than Dracula or
sparkly metro-sexual vampires. The vampires appear to be on the offensive,
wiping out various outland towns and villages. Turns out their being led by a
fallen priest who was turned into the first human-vampire… and it’s Karl Urban!
The movie soon became a test of will as Jonny and I would anxiously wait for
the next scene featuring Karl Urban. Everything
else just seemed stupid and forgettable. Priest suffers from a myriad of
problems. While I say I know little of the comic, I do know it does not take
place in a dystopian post-apocalyptic future. That aspect was invented by the
Hollywood Mediocrity Machine (patent pending). Whenever you have people outside
of the source material making such drastic changes to the plot, story or even
setting, you are asking for trouble. I mean, what if somebody else decided to
continue Bryan Fuller’s Dead Like Me
without any involvement from the creator despite his heavy influence toward the
feel, direction and mythos of the show?
Oh wait, that happened. So did S. Darko. (It can’t be undone, people!) Another
issue was that the plot was implausible. No, I don’t mean that vampires exist.
I mean that it took how many millennia for a human to be infected by a vampire?
Really? How was Karl Urban’s character the first one? I call bullshit! This
race of vampire had to have been smart enough to realize the benefits of
turning humans. For one thing… humans have eyes! Those optical things do kind
of come in handy don’t they? Plus, a
human-looking vampire can infiltrate human civilization. That certainly
improves the odds of eating them! Honestly, Jonny and I were more fascinated by
the dystopian society ruled by religion aspect of the story than a dumb Judge
Dredd versus vampires plot. Thank God for Karl Urban. Both for helping us
survive Priest and giving us a GOOD Judge Dredd! Which leads me to…
Judge Dredd – This movie should have worked. It had good
special effects with details and characters straight from the comic. Then
mistakes were made. Many, many mistakes. On the surface, Sylvester Stallone is
a great fit for the title role of Judge Dredd. The character is portrayed as a
snarling, tough as nails, takes no bullshit cop with the power to be judge,
jury and executioner all in one. Plus, Stallone brought great star power to the
movie. But someone apparently forgot to tell Sly Stallone that Judge Dredd
NEVER TAKES OFF HIS DAMN HELMET! This might seem trivial to bitch and moan over,
but it is a huge detail to overlook considering the authenticity to the source
material and the meaning behind Dredd’s hidden façade. Judge Dredd represents
justice at its most carnal, most brutal, but also most honest. Dredd is the
uniform complete with helmet and it represents him just as much as he and the
uniform represent the law that he serves, abides by and sacrifices for. In the
same way that justice is blind, you don’t see Dredd’s face. Having Stallone
walk around 95% of the movie without the helmet made Judge Dredd just another
Stallone flick. It’s the same reason that lesser known actors were cast in the
Watchmen movie. The goal was to see Ozymandias, not Tom Cruise as
Ozymandias. Thank God for Karl Urban. He
left that helmet on the whole time. He got it where Stallone didn’t and
probably didn’t care. (It honestly wouldn’t surprise me if Sly never even read
a single Dredd comic to prepare for the role.) The plot to Judge Dredd felt
underwhelming, as if nothing was really at stake. Seriously, Jonny and I both
think that the best part of the movie was the ABC Warrior robot that Rico
(Dredd’s evil clone brother who surprisingly looked nothing like Dredd) uses as
part of his scheme. Most would argue that the biggest problem with the movie
was Rob Schneider. Herman Ferguson was made to be this comic relief that felt
akin to a Death Wish movie where
Charles Bronson had to drag Pee Wee Herman around with him. Not only did it not
work, it missed the bar for the usual dark humor that the Judge Dredd book
notoriously brings. Instead it was like the boring version of Demolition Man (boring
because Wesley Snipes wasn’t in it and let’s be honest, he stole the damn show
in that movie!). Plus, Hollywood
is obsessed with this idea of there always having to be a romantic subplot. The
comic, however, never really shows any romantic desires on the part of Judge
Dredd because such relationships are forbidden among judges. So having Judge
Hershey kiss Dredd simply would not have happened as Hershey would have known better
and Dredd wouldn’t have allowed it. Sadly,
the script seemed to be built on the best of intentions. Pat Mills, a writer
for the Judge Dredd comic who helped to develop the character early on, penned
the screenplay and filled it with lots of characters, images and details
straight from the source material. Even the annoying Schneider was based on the
Fergie character in the book. Like I said, the movie should have worked. I
think the Hollywood Mediocrity Machine (again, patent pending) got their hands
on the film project and turned it into mindless action cheese, which is sad
considering how unique and complex the Judge Dredd comic is.
Jonah Hex – Jonny and I didn’t hate this movie, but lots of
people did… and we can see why. If you are a fan of Jonah Hex comics, this
movie will anger you. We have never really read those comics, so our knowledge
of the disfigured bounty hunter is limited. However, I can tell you that the
movie was really stupid at times. I know Jonah doesn’t have supernatural powers,
so his talking to the dead thing was total bullshit. It was quite amusing to
watch Megan Fox try to pull off a western accent and… well, attempt to act.
Considering that she was paired with Josh Brolin, who is easily one of the best
American actors today, it was all the more painful to watch. (I must also point
out that her playing a prostitute in the Wild West was very misleading. Wild
West hookers were not that attractive!) John Malkovich was his usual
intellectual bad guy (i.e. Cyrus the Virus) which he has mastered to such a
level that I am confident he was just phoning in his performance, yet he still
managed to be one of the best actors in the movie. Brolin did a great job; he
really made the best of a bad situation. (For the purposes of this review, situation
is another word for script.) The best actor in the movie was Michael
Fassbender, who stole the damn show as Malkovich’s crazy Irish henchman. He was
freakin’ awesome and the main reason Jonny and I didn’t hate the movie. Hell, Fassbender’s
good enough for me to encourage people to see this stupid movie just to check
out his performance! So to sum up this wretch, Malkovich gets this super secret
weapon that… I’ll just say it… it’s basically a nuclear bomb without being a
nuclear bomb. You know that thing where a movie will take place before scientists
split the atom, but want that end-all-be-all super weapon so the writer comes
up with a ridiculous “not-a-nuke” thing? That’s what Malkovich had. (For note,
I did like the steampunk nuke from Guy Ritchie’s Sherlock Holmes… it was
ridiculous and yet somehow awesome.) So
when President Grant finds out about Malkovich having the weapon (which I can
describe only as fiery super-balls of death), he whips out the classic cliché
“Get me Jonah Hex.” Yes, somehow this movie was a secret agent film set in the Wild
West without Will Smith and giant mechanical spiders. I do have to question how
the president knew of a random bounty hunter out west and thought so highly of
him as to place the fate of the United
States in his hands… the same hands, by the
way, that had not long before fought for the Confederacy. (I wonder if the
writer of Jonah Hex ever uttered the words “Wow, it writes itself!) So
inevitably Jonah Hex and his side-kick Whore-girl save the day. President Grant
commends Hex for a job well done and appoints him a US
Marshall. In the
last scene, Dirty Harry Hex throws the US
Marshall badge he got into the reflecting pool
in Washington DC and walks off into the sunset with his
lady rental. Wow, words cannot express... the bile rising in the back of my
throat.
Dragonball: The
Magic Begins & Dragonball: Evolution – I am counting these two
because
Dragonball started out as a manga. I’ve already explained why I don’t think a
Dragonball movie will ever work. These awful experiments in
cinematic torture just prove my point. Dragonball:
The Magic Begins was a Taiwanese film that was so terrible, I have never
watched the whole thing. In fact, a friend and I attempted to watch it at two
in the morning, the golden hour for viewing bad cinema, and still couldn’t get
through it! The only positive I will give that movie was that the actor they
cast as Master Roshi was SPOT ON. He looked and acted exactly how I picture the
eccentric perverted martial arts master to behave. It is because of that movie
that my expectations were so low that I didn’t think Dragonball: Evolution was
that level of bad. I reached this conclusion on the fact that I was able to
watch the entirety of that movie. But holy shit was that movie crappy. It’s sad
since the cast was great; you had Justin Chatwin and Emmy Rossum, both of whom
are amazing on Shameless. Plus you
had Chow Yun Fat, Jamie Chung and James Marsters. But good actors can only do
so much with a shitty script. The film could have starred Daniel Day-Lewis,
Kevin Spacey, Natalie Portman and Matt Damon; Hell, you could have raised
Stanley Kubrick from the dead to direct and that movie still would have been a
steaming pile of dog shit. Like I said before, I don’t think you can make a
live action Dragonball movie work, but certainly setting it in our world with a
white American high school student named Goku wasn’t the best idea.
Fist of the North Star – Again, Fist of the North Star (aka
Hokuto No Ken) began as a manga, so I am counting this horrid excuse for a
martial arts flick. Unlike the Dragonball franchise, I actually believe this
could work as a live action movie (perhaps a future installment of Live Action
Casting?). With the right cast, a good script, a passionate director and a great
fight choreographer, Fist of the North Star could be awesome. This movie,
however, was not. I can sum it up simply with this sentence: Martial arts
master Ryuken was played by Malcolm McDowell. I love Malcolm McDowell. I have the 40th
anniversary Blu-Ray of A Clockwork Orange
and have McDowell’s autographed picture hanging in my den. But seriously, I
can’t use my love of the man to suspend my belief well enough to buy a British
man as the practicing master of an ancient martial art. I don’t remember a ton
about this movie but I do recollect that it was very low budget. Most of its
money was probably blown with one cool effect at the beginning of the movie
where Kenshiro made a bad guy’s head explode. In hindsight, I should have just
turned off the movie there as it was all downhill from that point. I remember the late Chris Penn played a
character named Jackal which was a cross between a warlord of the same name and
Jagi, a villain I would have much rather seen. As the plot was based on the
first story-arc of the series involving Shin, there was no Raoh or Jagi or Rei.
I do remember the actor who played Rufio in Hook
played a similarly annoying character that died the exact same way! He
was literally impaled on a sword! I couldn’t stop laughing at that. I would
love to see a big budget attempt at Fist of the North Star. (Hell, with today’s
computer effects, it wouldn’t even have to be that expensive to show the gore.)
Considering how well 300 did, Fist of
the North Star could easily be a success. With the right amount of love for the
genre (think the Wachowskis and Speed
Racer), a good filmmaker could really make this property into an awesome
franchise.
Spawn – I’ve only seen Spawn once and it was in the theater
way back when it came out. I’m not sure what
exactly turned me off about this movie. It wasn’t abysmal, but I didn’t like it
either. It wasn’t Michael Jai White or Martin Sheen, I thought they did fine. I
thought John Leguizamo did a good job as the Clown, though I think the
character was written a little too over the top. I would have preferred a less
comical (and less flatulent) interpretation like the twisted, evil Clown from
the HBO animated series (fair warning, I am going to mention that cartoon repeatedly).
I thought Spawn himself looked crappy. He really looked nothing like the comic
book version and more like a cross between that fleshy CGI costume the movie
Green Lantern wore and the Venom symbiote. The special effects weren’t all that
great if I remember correctly. I guess one of the biggest problems with the
movie was that it abandoned the dark adult feel of the comic (something that
the HBO cartoon got right) in favor of a more kid-friendly action flick. Now
stop to think about this a second. Spawn is the story of a vicious mercenary who
is murdered by his allies, gets sent to hell and makes a deal with the devil to
become one of his elite soldiers so he can come back to Earth to seek his
revenge. (Wow, I know what show can
follow Yo Gabba Gabba!) Honestly, I hated the ending. Spawn uses telekinesis to
remove a bomb remote from the heart of Martin Sheen’s character Jason Wynn (you
know, the whole if his heart stops the bomb explodes thing). I haven’t read a
ton of Spawn, so correct me if I’m wrong, but I don’t remember Spawn having telekinetic
powers. He had energy powers, teleportation, spikes, claws, super strength, a
healing factor, near invulnerability, magic chains and a magic morphing cape
that could help him glide and form shields when necessary. I don’t remember him
having super telekinetic powers. I also don’t remember the movie mentioning he
had those powers prior to the climax. To me it just felt like a contrived
ending where Spawn pulled a power out of his ass to conveniently conclude the
movie with the good guys winning. Once again, I must say that the HBO cartoon
of Spawn had it right. It captured the dark feel, the gritty tone, the violence
and the feeling of a wayward soldier seeking a balance between revenge and
redemption. If my sketchy memory of the movie is any indication, the live
action Spawn was just forgettable.
League of Extraordinary Gentlemen – I can’t not bring up
this movie; Jonny Prophet would never forgive me. Truth be told, I didn’t hate
this movie, I honestly feel it wasn’t that bad. However, I am not familiar with
the source material. Jonny is. Like most of Alan Moore’s famous works, film
adaptations were made of them without his consent and changes were made. In
this case, the script writers clearly decided to ignore what made the book
interesting in favor of making yet another superhero movie, this time a silly
one involving famous literary characters and historical legends. But somewhere along the way, these writers
must have decided that Allen Quatermain, Mina Murray, the Invisible Man,
Captain Nemo and Dr. Jekyll / Mr. Hyde were not interesting enough (when you
eliminate all the aspects of their personalities that made them interesting in
the comic, who can blame them?). So the writers added two completely non-comic
characters in Tom Sawyer and Dorian Gray. Sadly, because of how badly the
original members of the team are written, Sawyer and Gray are the most
interesting characters in that movie. The
entire film is a farce of the source material. Aside from using the 5 original
characters (practically in name only) there is not much else faithful to the
comic. For me, League of Extraordinary Gentlemen was a dumb, cheesy action film
using public domain superheroes with really nothing more of substance. The
truth is that the book centers on “extraordinary” people, not heroes.
Quatermain was an opium addict. The Invisible Man was a pervert. Mr. Hyde was a
murderous cannibal. Captain Nemo was more interested in world conquest than
saving it. But all of these details were either lost or glossed over for the
film, which resulted in the adaptation of an interesting graphic novel into
just another bland production from the Hollywood Mediocrity Machine (yes, the
patent is still pending). Though there were some cool moments, the movie is
largely forgettable. League of Extraordinary Gentlemen does have one sad
distinction, however. It was Sean Connery’s final film before his retirement. (Come
on, Sean, Raul Julia didn’t get a choice in his final role being M. Bison in
that craptacular Street Fighter flick, but you can still end on a high note!)
Sigh.
Now comes the part where I reveal which of these crappy
movies I own in my collection:
The answer is 6… Spider-Man 3, Batman & Robin, The
Spirit, X-Men Origins: Wolverine, Jonah Hex and Superman Returns.
Now comes the part where I try to defend myself:
I got Spider-Man 3 at Walmart on Black Friday for $2. It was
worth $2 to me.
This past Black Friday at Walmart I got X-men Origins:
Wolverine for $4 on Blu-ray. There is enough good in the movie to justify it… I
think. All right, fine, I’m a sucker for Blu-ray… I admit it.
That same night at Walmart, I got Jonah Hex for $1. The
Michael Fassbender performance alone is worth a dollar to me. Plus, Jonny and I
can riff that movie to shreds.
Batman and Robin were included in a four movie set of the
old Batman movies from Burton
and Schumacher.
I got the Spirit from my local Blockbuster for $1. It was
worth a dollar to me. (BTW, Jonny got his for a penny on Amazon, but he had to
pay shipping. It’s sort of a personal victory for each of us.)
And I own Superman Returns because Jonny Prophet is a bad
person! He got the movie at a ‘white elephant’ Christmas gift exchange and
decided to wrap it up and give it to me! I got him back though. I gave him his
very own copy of John Cena’s The Marine complete with his name in permanent
marker on the disc so no second hand shop will dare separate Jonny from his
gift. Take that, Jonny Prophet!
Priest was a manwha (Korean comic) that focused on fallen angels, demonic possession of the main character via forsaking God and battling Fallen Angels in three different time periods, with the Wild West as the main focus. So, the dystopian future war with Vampires and an order of Priests.Yeah, totally missed the mark.
ReplyDeleteJonny Prophet said that the creator of the comic was going to make a future version of the comic to coincide with the film. Who knows if that will happen.
ReplyDelete