This is the first installment of an ongoing series. Once a
month I am going to spotlight of a movie, television show or album that I feel
is great or brilliant but for whatever reason has been overlooked or
forgotten. Don’t worry, I will try to
give as few of spoilers as possible since my intention with all this is to give
the underrated work attention and convince you, the reader, to watch (or listen
to) it for yourselves. This review will focus on a truly underrated science
fiction drama that came out last year entitled Never Let Me Go.
The film takes place in a world where advances in medical
science have allowed the human life expectancy to exceed 100 years. The secret
to this miracle of science is the use of harvesting organs from clones. Now the
sci-fi savvy among you will probably be asking “Say, Toaster, wasn’t that the
central plot from the Ewan McGregor and Scarlett Johansson movie The Island?" Yes, it was. However, Never
Let Me Go isn’t about clones fighting the system for survival. It’s about what
it means to live.
Never Let Me Go is adapted from a novel of the same name by
Kazuo Ishiguro (The Remains of the Day).
It is directed by Mark Romanek, who previously directed the thriller One Hour Photo as well as a slew of
acclaimed music videos including Nine
Inch Nail’s “Closer” and Johnny Cash’s “Hurt.” The film stars Carey Mulligan (An Education), Andrew Garfield (The Social Network) and Keira Knightley
(The Pirates of the Caribbean), who
are three of the best young actors out there.
The story centers around three friends attending a boarding
school called Hailsham in England.
Kathy, Tommy and Ruth grow up together and attend classes at the odd
institution that focuses more on creativity than academics while making an
emphasis on “keeping yourselves healthy inside.” Eventually the children find
out their fate; that they have been cloned from the bottom dwellers of society
and that in their twenties they will undergo a series of operations to donate
their organs until it inevitably kills them.
What I find fascinating about the movie is that the children
don’t rebel. They accept their fates and choose to make the most of their
lives. As time passes, Kathy falls in love with Tommy, but Ruth swoops in and
begins a long relationship with him. So throughout the film you watch Kathy
spend what little time she has in life watching the boy she loves in the arms
of another.
One of the details I love about the movie is when these
clones interact with regular humans. The humans look at them and treat them
with a measure of guilt, not unlike how farmers look at cattle that one day
they will slaughter and eat. In one amazing scene earlier in the film, the
children are excited because a man is coming by to deliver their “prizes” for
good behavior. If the children were good they received tokens that can be
traded in for the prize of their choice. Several children cheerfully greet the
delivery man, asking him if he does, in fact, have their gifts. The man, in a
nervous and almost guilt-ridden way, confirms that he does. As the children cheer
the delivery man quickly goes about his business so he can leave as soon as
possible; not wanting to face the cruel reality of what consequences everyone
else’s health brings. The prizes, it turns out, are society’s garbage, the kind
of crap that Goodwill can’t even sell. Of course, in the sheltered world of
these cloned children, it is an amazing treat.
The film continues to follow the lives of Kathy, Tommy and
Ruth into their young adult years. Tommy and Ruth’s relationship takes its toll
on Kathy. She signs up to become a carer and subsequently leaves rather than
continue to watch Tommy with someone else.
At some point in his/her late 20’s, a clone will receive notification
that they are to make a donation for some sort of needed transplant be it a kidney,
liver, lung, or even an eyeball. After this donation, they are sewn up and
allowed to keep living until the next donation surgery. Usually a clone
survives the first donation, often the second, but the third has a high
mortality rate and nobody survives the fourth operation. Once the clone dies,
it is considered “completion.” As a carer, Kathy watches over fellow clones and
helps them during the many operations until completion. In return for these
services, a carer is given a temporary reprieve from making organ donations. In
the final act of the film, Kathy seeks out Tommy and Ruth ten years later, once
they both have already begun donating their organs.
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